Get all 17 tsss tapes releases available on Bandcamp and save 65%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Popular Fictions, 3untitled, L'inutile, Caraguatá/Moxotó, Stien, Água Viva, MOT, Globuskorbmaschine, and 9 more.
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A1
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A2
03:02
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A3
03:54
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A4
06:22
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B1
02:56
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B2
12:30
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tsss tapes Perugia, Italy
Quiet and weird and free.
If you are buying more than 2 tapes please contact us first to calculate the exact shipping prices.
Demos by non-US/non-european artists are welcome.
If you like An Index of Textures, you may also like:
Everywhere at the end of time
by The Caretaker
supported by 26 fans who also own “An Index of Textures”
There are so many things I could say about why this album is absolutely perfect. But to keep it short, single-handedly the most depressing album I've listened to, but also the most fantastic album I've listened to. Would highly recommend to anyone willing to give it a listen.
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Everywhere, an empty bliss
by The Caretaker
supported by 18 fans who also own “An Index of Textures”
Almost feels like a surreal prologue to the vastness of "Everywhere at the end of time". The Caretaker lives on.
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The Reinvention of Romance
by Sarah Hennies
supported by 17 fans who also own “An Index of Textures”
Sarah’s music changed my life. This work is spell-binding and I can’t wait to listen on vinyl :)
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Sorgente
by Devid Ciampalini
David Ciampalini, founder of the Ambient-Noise Collective, bridges musique concrete with psychedelic soundscapes on his debut solo LP.
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Soft Earth
by Conor C. Ellis
Meticulously constructed and deeply haunting, immersive ambient; a lovely debut from this Michigan artist.
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42 Days 四十二天
by Southeast of Rain 东南有雨
This stunning, beautiful project from Fujian duo Southeast of Rain 东南有雨 blends field recordings with rippling notes from the pipa.
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Joy Boy
by Julius Eastman
supported by 17 fans who also own “An Index of Textures”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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